Live In San Francisco includes one of the strongest tracks off Slaughterhouse: “I Bought My Eyes.” Cronin and Segall harmonize, “I was a rich man. It makes you feel as if you’re actually there, soaking up the energy of the crowd, and when you close your eyes, it’s as if you see the Ty Segall Band thrashing around stage, getting crazy, sweat dripping all over, under a rainbow of lights. The crowd screams back, “Helloooo!” Then he asks they say goodbye with his signature high-pitched and adorable “bye-bye,” before breaking into “Wave Goodbye.” I thoroughly enjoy when artists include their little convos with fans on live albums. The album starts off with Ty telling everyone in the audience to say hello. The album was recorded during two nights at San Francisco’s The Rickshaw Stop and comes in at a little over 30 minutes and contains 10 songs a combination of tunes like “Slaughterhouse” and “Death” from the band’s debut and oldies from Ty’s catalog, including “The Hill” and “Thank God for the Sinners” off Twins. It follows 2012’s critically acclaimed Slaughterhouse (In the Red Records), bringing the 60s and 70s to life with their mix of psychedelia, punk, and garage rock. Live In San Francisco is the second full-length released by the Ty Segall Band, made up of the infamous Ty Segall himself (guitar and vocals) and his touring band members Mikal Cronin (bass), Charlie Moothart (guitar), and Emily Rose Epstein (drums). Ty Segall Band ’s Live In San Francisco (Castle Face Records) does just that, but with an extra dose of who gives a f**k and a side of brilliance! The lo-fi rockers bring killer guitars, fantastic drumming, a mix of curdling screams and harmonized voices, and of course, some humor. The ones that make the mark transport you to the venue, bringing a concert to life. Chicago – Live albums can often be hit or miss.

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